I have been very conscious recently when creating my book that the work I am making is somewhat very similar to the work I have always made; black fine liner, intricate detail. It's how I know how to work, and despite it being technically tiring and difficult, I am comfortable with this way of working, a reason perhaps why I find it so difficult to not work in this way.
HOWEVER,
I do feel that for this specific project, this approach was appropriate and considered. My book's aesthetics aim to reflect that of the map I found at Ferrybridge, which is all black, detailed mechanical drawings. It would not have been appropriate to use loose brush work for example.
Also the work that I was making for this project was an attempt to challenge myself, to tell a story of a place in an abstract and subtle way and to devise a diagrammatic system for a narrative. Although I may not have fully exhausted this idea or succeeded totally in what I set out to do, the intention for challenge was there.
Change
Something I am very keen to change is my approach to image making, that is why I am here and that is what I am ultimately keen to learn, explore and develop throughout this course. I am going to make a concentrated effort to push this and stick to this with all further projects.
To do this, in the next brief I am going to:
- NOT touch a fine liner,
- NOT pencil out drawings before I execute them,
- use techniques other than drawing,
- approach the work and the ideas abstractly, visually and conceptually, in a way that I have never before.
I need to stick to my rules and make a change. I need to excite myself again in image making and really push what I am doing.
I NEED to hear 'that's not very you' more and more and more.
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